Prehistoric ornamentation: possible directions in research and aspects for interpretation as suggested by analysis of Tripolye-Cucuteni pottery
DOI:
https://doi.org/10.23858/SA68.2016.004Keywords:
ornamentation, Tripolye-Cucuteni culture, ornamental elements and motifs, semanticsAbstract
The paper proposes an interpretation of ornamental patterns in Tripolye-Cucuteni pottery. In the past decades, abstract and geometric ornamental motifs have often been viewed quite subjectively as images of the ‘moonfaced Goddess’, the ‘world egg’, ‘shells’, etc. The meaning of the ornamentation has been reconstructed on the basis of various ethnographic analogies, usually rather distant from the material under study. Within the framework of the structural-semiotic approach, the ornamentation has been analysed as a sign system or proto-writing where each element or motif is supposed to have a particular meaning. However, careful study of the dynamics inherent in the development of ornamental patterns shows that such interpretation cannot really be substantiated. Most signs seem to have been elements of technical design. The patterns were mostly created by dividing ornamented areas and not by building whole sequences of signs as it is done in texts. What was meaningful was the ornament itself as an integrated whole, not its elements. Ethnographic evidence shows that interpretation of identical motifs may vary considerably even within the same society. This has been confirmed by the author’s study of variation in the Tripolye patterns, which seem to have no unambiguous meaning. The main areas of future research lie in paleo-ethnological and paleo-cultural studies, where ornamental patterns are regarded as specific markers which reflect changes in the ethnic composition and social structure of prehistoric communities, and which provide information about interactions between different human groups
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References
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Evans-Pritchard E. E. 1965. Theories of Primitive Religion. Oxford: Oxford University Press
Friedrich M. H. 1970. Design structure and social interaction: archaeological implications of an ethnographic analysis. American Antiquity 35(3), 332–343
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Greenberg L. J. 1975. Art as a structural system: a study of Hopi pottery designs. Studies in the Anthropology of Visual Communications 2(1), 33–50
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Jablan S. V. 2002. Symmetry, Ornament and Modularity (= Series on Knots and Everything 30). Hackensack, NJ: World Scientific Publishing
Kandyba O. 1935. Die forlaufende Spirale in der bandkeramischen Ornamentik. Archiv für Anthropologie 23, 266–308
Kandyba O. 1936. S-spiral in the Decoration of the Dniestro-Danubian Neolithic Pottery. American Journal of Archaeology 40(2), 228–246
Kleyn L. S. 1993. Fenomen sovetckoy arkheologii. Sankt-Petersburg: Farn
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Lazarovici G., Lazarovici C.-M. and Merlini M. 2011. Tărtăria and the Sacred Tablets. Cluj-Napoca: Editura Mega
Lesure R. G. 2011. Interpreting Ancient Figurines. Context, Comparison, and Prehistoric Art. Cambridge: Cambridge University Press
Linnichenko I. A. and Khvoyka V. V. 1901. Sosudy so znakami – iz nakhodok na ploshchadkakh tripolskoy kultury. Zapiski Odesskogo obshchestva istorii i drevnostey 23, 199-202
Luca S. A. 2014. Art and Religious Beliefs in the Neolithic and Aeneolithic from Romania. Sibiu: Editura Museului National Brukenthal
Luca S. A. and Mărcuţi F. 2015. Prehistoric Signs and Symbols from Transylvania (1). “The Secret Tablet” the Neolithic and Aeneolithic Archaeological Settlement from Tărtăria – Gura Luncii (Alba County). Brukenthal. Acta Musei 10(1), 7–16
Melnichuk I. V. 1990. Izobrazhenie zmei Tripole. In V. A. Dergachev (ed.) Arkheologicheskie issledovaniia molodykh uchenykh Moldavii. Kishinev: Shtnintsa, 39-46
Merlini M. 2006. The Gradešnica script revisited. Acta Terrae Septemcastrensis 5, 25–77
Merlini M. 2007. A semiotic matrix to distinguish between decorations and signs of writing employed by the Danube Civilization. Acta Terrae Septemcastrensis 6, 73–130
Merlini M. 2014. The sacred cryptograms from Tărtăria: unique or widespread signs? Putting the asserted literate content of the tablets under scrutiny. In J. Marler (ed.) Fifty Years of Tărtăria Excavations. Festschrift in Honor of Gheorghe Lazarovici on the occasion of his 73rd Birthday. Suceava, Sebastopol: Editura Lidana, Institute of Archaeomythology, 73–119
Merlini M. and Lazarovici G. 2008. Settling discovery circumstances, dating and utilization of the Tărtăria tablets. Acta Terrae Septemcastrensis 7, 111–196
Meskell L. M. 1995. Goddesses, Gimbutas and “New Age” archaeology. Antiquity 69(262), 74–86
Movsha T. G. 1991. Antropomorfnye siuzhety na keramike kultur tripolsko-kukutenskoy obshchnosti. In V. F. Gening (ed.), Dukhovnaia kultura drevnikh obshchestv na territorii Ukrainy. Kiev: Naukova dumka, 34-47
Nikolov V. and Karastoianova D. 2003. Risuvanata ornamentatsiia kato sistema za komunikatsiia mezhdu pokoleniiata (po materiali ot ranno- i srednonelitniia plast na tel Kazanlk). Arkheologia 44(2), 5-14
Palaguta I. V. 1999. Problemy izucheniia spiralnykh ornamentov tripolskoy keramiki. Stratum plus 2, 148–159
Palaguta I. 2007. Tripolye Culture during the Beginning of the Middle Period (BI): The relative chronology and local grouping of sites (= British Archaeological Reports. International Series 1666). Oxford: Archaeopress
Palaguta I. V. 2008. Mify i realnoct v interpretatsii ornamentov drevnikh zemledeltsev. In Dialog kultur i partnerstwo tsivilizatsiy: VIII Mezhdunarodnye Likhachevskie nauchnye chteniia. Sankt-Peterburg: SPGUP, 216-217
Palaguta I. 2009. “Technical decoration” of the Tripolye Ceramics. Archaeology, Ethnology and Anthropology of Eurasia 37(2), 85–91
Palaguta I. V. 2009. Iavlenie obratimosti i osnovnye napravleniia razvitiia kompozitsiy ornamentov tripolsko-kukutenskoy keramiki. Materialy 9-11 zasedaniy nauchno-metodicheskogo seminaria „Tverskaia zemlia i sopredelnye territorii v drevnosti”. Tverskoy arkheologicheskiy sbornik 7. Tver: Triada, 411-418
Palaguta I. V. 2012. Mir iskusstva drevnikh zemledeltsev Evropy. Kultury balkano-karpatskogo kruga v VII-III tys. do n.e. Sankt-Petersburg: Aleteia
Pasto T. 1964. The Space-Frame Experience in Art. New York: Barnes
Peshchereva E. M. 1959. Goncharnoe proizvodstvo Sredney Azii (= Trudy Instituta etnografii im. N. N. Miklukho-Maklaia 42). Moskva, Leningrad: Nauka
Rice P. M. 1981. Evolution of specialized pottery production: A trial model. Current Anthropology 22(3), 219–240
Rindiuk N. V. 1994. Dejaki pitannia ideologii dawnozemlepobskikh plemen. Arkheologia 1, 145-147
Rybakov B. A. 1964. Semantika tripolskogo ornamenta. In Tezisy dokladov na zasedaniiakh, posviashchennykh itogam polevykh issledovaniy 1963 g. Moskva: AN SSSR, 23-24
Rybakov B. A. 1981. Iazychestvo drevnikh slavian. Moskva: Nauka
Schmidt H. 1924. Prähistorisches aus Ostasiens. Zeitschrift für Ethnologie 5/6, 133–157
Shepard A. O. 1948. The symmetry of abstract design with special reference to ceramic decoration (= Contributions to American Anthropology and History 9(47). Publication 574). Washington D.C.: Carnegie Institution of Washington
Summers D. 2003. Real Spaces. World Art History and the Rise of Western modernism. London and New York: Phaidon Press
Telegin D. Ya. 1994. Obraz zmeelikoy bogini v Tripole. In Drevneishie obshchnosti zemledeltsev i skotovodov Severnogo Prichernomoria V tys. do n.e. – V v. n.e. Materialy Mezhdunarodnoy arkheologicheskoy konferentsii 10-14 oktiabria 1994 g. Tiraspol: Nauchno-issledovatelskaia laboratoria „Arkheologia”, 73-74
Ţerna S. 2007. Consideraţii preliminare privind evoluţia decorului antropomorf pictat de pe ceramica culturii Cucuteni-Tripolje. Peuce 5, 33–42
Tkachuk T. M. 1991. Lichiny v rospisi keramiki kultury Tripole-Kukuteni. In V. F. Gening (ed.), Dukhovnaia kultura drevnikh obshchestv na territorii Ukrainy. Kiev: Naukova dumka, 47–59
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Published
2016-12-20
How to Cite
Palaguta , I. V. . (2016). Prehistoric ornamentation: possible directions in research and aspects for interpretation as suggested by analysis of Tripolye-Cucuteni pottery. Sprawozdania Archeologiczne, 68, 65–80. https://doi.org/10.23858/SA68.2016.004
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