A Small Reflection on the Vernacular Photography in the Experience of Ukrainian War Refugee in Poland
journal cover page; photograph in the coulours of Ukrainian flag of territory of Olbia, the Ukrainian National Historic and Archaeological Reserve, a famous archaeological site, located near the village Parutine, Mykolaivska oblast', Ukraine. 29.08.2021. Author: Julia Buyskykh.
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Keywords

vernacular photography
Russian invasion of Ukraine
migration
non-human agency

How to Cite

Martynchuk, O. (2023). A Small Reflection on the Vernacular Photography in the Experience of Ukrainian War Refugee in Poland. Etnografia Polska, 67(1–2). https://doi.org/10.23858/EP67.2023.3404

Abstract

This text is a kind of reaction to the current situation of a full-scale Russian invasion of Ukraine. In this essay I have attempted to document my observations of vernacular photography in the context of forced migration caused by Russia's imperialist full-scale invasion of Ukraine.

 

https://doi.org/10.23858/EP67.2023.3404
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References

Elizabeth Edwards, Janice Hart 2011, Fotografie jako przedmioty. Wprowadzenie. [in:] M. Frąckowiak, K. Olechnicki, (ed.) Badania wizualne w działaniu. Antologia tekstów, Warsaw, Bęc Zmiana.

Olena Fedyuk 2012, Images of Transnational Motherhood: The Role of Photographs in Measuring Time and Maintaining Connections Between Ukraine and Italy. Journal of Ethnic and Migration Studies. vol. 38(2). doi:10.1080/1369183x.2012.646422.

Susan Sontag 2017, O fotografii, Kraków, Wydawnictwo Karakter.

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