Published: 2016-01-01

Łódź Kaliska Muzeum. Pozdrawiamy urzędników sztuki!

Ewa Nowina-Sroczyńska

Abstract

Avant-garde movements almost always have trouble with art-managing institutions. For this reason there are so many new places in which to show artistic achievements – small galleries, markets, city streets and squares, private homes. The article is one of a series of essays devoted to the avant-garde group Łodź Kaliska. The group's presence in the cultural landscape of Łodź goes beyond critical reflection on art. I use an anthropological notion of the carnivalesque, coined by Mikhail Bakhtin, further developed by his exegetes and polemicists. I try to understand Łodź Kaliska’s attitude to a museum as an art-managing institution. The attitude seems to be evolving – from total negation to a rational reflection

Keywords:

avant-garde, museum, carnivalesque

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Citation rules

Nowina-Sroczyńska, E. (2016). Łódź Kaliska Muzeum. Pozdrawiamy urzędników sztuki!. Journal of Urban Ethnology, 14, 177–203. Retrieved from https://journals.iaepan.pl/jue/article/view/694

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