Published: 2026-06-29

Epigraphs in the works by Wincenty Flak - a study in folk epigraphy

Paweł Madejski
The Quarterly of the History of Material Culture
Section: Studies and Materials
DOI https://doi.org/10.23858/KHKM74.2026.1.004

Abstract

The article discusses the inscriptions that appeared in the works of folk sculptor Wincenty Flak (1870–1943). Flak willingly used them in his works: their presence is confirmed for almost half of his known items. In terms of content, they are not original, mainly repeating propaganda slogans or prayer phrases. On the other hand, the type of the letters used was surprising. Ephemera types appeared rarely and mainly in epigraphs imposed by the subject depicted in the work. On the other hand, the content originating from Flak was expressed by means of his own invention — a font imitating hand-writing, used only by him and his son. When placing inscriptions in his works, the artist was inspired by documents of everyday life, leaflets, and ribbons. This confirms the validity of looking at epigraphic evidence as a fragment of the entire methods of communication in a given community. Without taking into account this broader aspect, research on epigraphy will be at least incomplete, and its conclusions poorly justified.

Keywords:

epigraphy, folk epigraphy, Wincenty Flak, palaeography, neography, inscriptions in work of art

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Madejski, P. (2026). Epigraphs in the works by Wincenty Flak - a study in folk epigraphy. The Quarterly of the History of Material Culture, 74(1), 85–99. https://doi.org/10.23858/KHKM74.2026.1.004

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